There are more videos and articles comparing battery powered flashes than you can shake a stick at. Anyone researching a portable lighting setup will undoubtably look at the strobe offerings from Profoto (B10, B1X) and Godox (AD200, AD600 etc.) but once you have that shiny new strobe unit, you are going to need to pony up for some light modifiers. The most cost-effective of the light modifiers (not counting DIY alternatives) are going to be umbrellas. How do these simple and easy to carry and setup modifiers stack up against the go-to big boy Profoto 36-inch octabox?

My goal in this comparison was to use a few different modifiers of similar size but vastly different costs to determine if the more expensive modifiers would yield superior results in terms of quality of light. For this (subjective and non-scientific) comparison, I used a Canon 5D MKIV and Profoto B10 in TTL mode, allowing the camera to set the proper exposure for an aperture value of f4, ISO 100 and shutter speed of 1/125. I approached this from a “real world” use scenario.  There were small differences in terms of loss of light between the three modifiers, but this experiment was not focused on efficiency of the modifiers, only the resulting quality of light. I kept the distances to the subject and the angle of the light generally the same. My model for this experiment was our tried and true crash test dummy Meghan the mannequin.

To find the candidates for the comparison, I hit Amazon and researched lower-cost modifiers from Neewer, Cowboy studio and others. I settled on Godox, because they have good customer support and are easy to find in stock. The modifiers I used were:


Godox 32″/ 80cm Umbrella Octagon Softbox Reflector



Godox 47″/120cm Umbrella Octagon Softbox Reflector



Profoto 254711 RFi 36-Inch Octa Softbox (Black)



Concerns when buying budget light modifiers

Build quality in budget light modifiers is nowhere near the more expensive models and will likely have a shorter lifespan than “pro level” gear. I would be worried about relying on a lower-cost modifier for an important shoot. These are umbrellas and we all know how prone those are to bending a rib inside, making them unusable.  The smaller Godox model in this experiment uses a standard umbrella architecture inside, and the larger Godox unit utilizes a combination of metal and plastic ribs. After reading all the reviews, some experienced issues after a few uses, but Godox was good about replacing broken units, this is why I chose them over other budget products from Neewer and Cowboy Studios.

Did I mention these budget modifiers break easily?


Technical concerns


Many low-cost modifiers, both umbrella and softbox come with front diffusion material. Many of the manufacturers use fabric whiteners to get the material ultra-white. This process can cause color shifts especially toward blue in your images. This can be resolved by using a product like the X-rite color checker passport, which is a plastic card combined with software which sets up a profile in your editing software for proper color. You just snap a photo of the passport and run it through the software, which automatically adjusts the colors to the proper hue.


The good stuff


  • Both of the Godox umbrellas were really a decent price. I got them on sale for 22 and 32 dollars.  If you are new to light modifiers and strobe work, these can be a good learning tool even if you end up buying a couple of them due to breakage.
  • The umbrella modifiers are easy to transport, and as long as your strobe has an umbrella hole (which most do), you are all set. Even if you get a Godox S-type bracket to use with a speedlight the weight and portability of your lighting kit will be worth it.
  • The umbrella softboxes are very easy to setup compared to a traditional rod and speedring softbox. They open like a regular umbrella and you put the pole inside into the hole in your flash or flash bracket. I know lots of beginning photographers (and some old grizzled ones too) that hate setting up the rods and speedrings of traditional softboxes so much that they just leave them up once they are assembled.
  • Both Godox units come with Velcro-attached front diffusion material. This is something that typically costs around $100 for higher-end modifiers. On a related note, you can buy the grids for the umbrella modifiers for about $20.


The results

Godox 32-inch umbrella
Godox 47-inch umbrella

Before we talk about how the Godox umbrellas stacked up against the Profoto Octabox, let’s look at how the 32-inch umbrella did when compared to the 47-inch. Was it worth the cost to get the larger unit? In short, no. There simply isn’t enough difference when looking at the images of Meghan from the 32 and the 47-inch units. Look at the shadows on the chin and nose, they are reasonably soft, but I expected more light wrap from the 47-inch unit compared to the 32. Both modifiers soften the light reasonably well, but I would likely use a second layer of diffusion if I were to use these for “real” images. The other aspect that surprised me about these modifiers was that there was little color shift from the front diffusion material. The small shift towards blue was easily rectified by warming the image a bit. I would do this in most cases with a portrait anyway.  Still, overall, I must admit that I was surprised these low-cost modifiers performed as well as they did.


Comparing Godox to Profoto

Profoto 36-inch Octabox

How did the Godox umbrellas compare to the industry standard Profoto 36-inch octabox using the same camera and strobe? Surprisingly, not too bad. Looking at the shadows on Meghan’s chin and nose, they are much softer and smoother than the ones from the Godox umbrellas. Also, look at the way the light is wrapping around her cheek on the left of the frame, much softer and smooth. IS this good enough for many photographers? Probably. For my work, I would still go with the Profoto softbox over the Godox units, but I plan to use the smaller Godox modifier for location shooting when weight is a concern. I have a 5-in-1 reflector that works great as a shoot through second diffuser.


For an entry-level modifier, the Godox umbrellas do surprisingly well. I worry about their build quality and only time will tell how long they will last with daily use. If you are just getting into strobes and looking to experiment with some reasonably priced modifiers that you can hone your skills with, these are great.  I’m not convinced that the 47-inch unit is worth the extra money and larger size (doesn’t fit in a suitcase), but honestly, these modifiers are a good deal.

As you grow as a photographer and the quality of your work evolves, you will likely grow out of these, but they are serviceable units for learning and most applications. These Godox umbrellas yield very reasonable results in terms of quality of light, and you don’t have to fuss with all the rods of setting up a traditional softbox.  


I love to hear from my readers! If you try these modifiers, please drop me a note and let me know what you think of them, I would love to hear your experiences and see some of your images with them. Follow me on Twitter for more reviews and have a great day.

Twitter: @epicshit9


Links to the products in this article:

Godox 32″/ 80cm Umbrella Octagon Softbox Reflector

Godox 47″/120cm Umbrella Octagon Softbox Reflector

Profoto 254711 RFi 36-Inch Octa Softbox (Black)

Godox S-type Bracket